Lanza and his team at Advanced Cell Techonology […] coaxed embryonic stem cells to develop into retinal cells. “They literally form little eyeballs growing out of the petri dish,” he says.

Frodo looked at them in wonder, for he had never before seen Elrond, of whom so many tales spoke; and as they sat upon his right hand and his left, Glorfindel, and even Gandalf, whom he thought he knew so well, were revealed as lords of dignity and power. Gandalf was shorter in stature than the other two; but his long white hair, his sweeping silver beard, and his broad shoulders, made him look like some wise king of ancient legend. In his aged face under great snowy brows his dark eyes were set like coals that could leap suddenly into fire.

And you know (you've got to know!) that this is going to turn into an obsession. First, you'll completely forget to take the dog out. It'll be standing by the screen door, darting its head about, as your eyes devour the code, as your fingers slip messages to the computer.

Thanks to your neglect, things will start to break. Your mounds of printed sheets of code will cover up your air vents. Your furnace will choke. The trash will pile-up: take-out boxes you hurriedly ordered in, junk mail you couldn't care to dispose of. Your own uncleanliness will pollute the air. Moss will infest the rafters, the water will clog, animals will let themselves in, trees will come up through the foundations.

But your computer will be well-cared for. And you, Smotchkkiss, will have nourished it with your knowledge. In the eons you will have spent with your machine, you will have become part-CPU. And it will have become part-flesh. Your arms will flow directly into its ports. Your eyes will accept the video directly from DVI-24 pin. Your lungs will sit just above the processor, cooling it.

And just as the room is ready to force itself shut upon you, just as all the overgrowth swallows you and your machine, you will finish your script. You and the machine together will run this latest Ruby script, the product of your obsession. And the script will fire up chainsaws to trim the trees, hearths to warm and regulate the house. Builder nanites will rush from your script, reconstructing your quarters, retiling, renovating, chroming, polishing, disinfecting. Mighty androids will force your crumbling house into firm, rigid architecture. Great pillars will rise, statues chiseled. You will have dominion over this palatial estate and over the encompassing mountains and islands of your stronghold.

She was trying to say something: “Dan, I don't know what you're thinking. If you think I was, if you think he—let me go. Let me go!” or some such. I kissed, I corked up her words and her breath with my mouth. Her eyes, so huge and close, were big enough for me and a dozen like me to tumble into and drown; I tumbled, I drowned.

With a deep and quiet joy I recognized the beginnings of my own climax, and here again it was new, new. For usually it was rush upward toward the final explosion, with perhaps a split-second pause of almost unbearable sensitivity before the ejaculation—and that was a short series of electric thumps and a complete fall from whatever heights to the ever-present here-and-now. Thinking of the way it used to be, a phrase occurs to me: “I never left home.” But now…

Now I rode no rockets to a quick burst of color and a cinder-fall. They say that when a three-hundred-foot tidal wave struck somewhere in the Pacific, fishermen eleven miles were unaware of its passage, so gently and massively were they raised and let down. This is the way I was carried up to a height I had never before known; it was that all-but-unbearable point of sensitivity that I had flicked past so many times before; but this time I rested there forever, while time stopped. It was from this altitude that my joybursts were launched—not the abrupt sequence of little gouts of relief, but long sibilant syllables arcing up and out into a universe I had never known existed. Four, five of them, another, and then an interminable rest on that summit, and then one more, and then the last.

I had always been silent before; now, I shouted.

[…]

Then the great wave let me down, let me down peacefully and easily into the presence of my wife and my world and a sunshowered here and now.

She cried out, and here was Dan Currier, professional (obsessional) consoler: a cry was to be heeded, the affliction of pain was to be stopped and existing pain consoled. This is everything I was and everything I meant to be. But now at my first great delving lunge, miraculously made swift and easy, she cried out, and I withdrew almost all the way and lunged again so deep and so hard that it bruised my pubic bone against hers, and again she cried out, louder. Of course there was pain, that shattering drive of flesh into flesh and bone against bone, and my great weight on her and my big arms locked around her so that the cry was forced out as shockingly as it was driven out by whatever was moving her. How, then she could take in enough air to do what she did I can not explain, but she cried out again and again, each cry like a plucked string, sharply appearing and fading, four, five … seven of them, diminishing. And with each cry, that incredible gripping inside, but harder, stronger than I had ever known it, so much so that I could realize, now, that I had not felt those earlier ones, but merely sensed them.

She was silent at last, and drenched with sweat from head to foot. I took my weight off her, raising myself on my elbows and placing my hands on the sides of her face and locking my gaze with hers. In hers I saw only a great wonder—no fear, no pain—and in this and in the strange slack slightly swollen new shape of her lips, such love as I have never known.

I began to move slowly, deeply inside her, and then, like a slow-motion reenactment of that first great drive, withdrew almost all the way and pressed inward again, right to the root. Each time I penetrated to that depth her eyes almost closed, but not quite—not enough to sever the cable of withness that had been woven between her eyes and mine. We had never done this in the light before; we had never seen each other experiencing it; I think that in a deeply important way we had never seen each other.

What would a Martian visitor think to see a human being laugh? It must look truly horrible: the sight of furious gestures, flailing limbs, and thorax heaving in frenzied contortions. The air is torn with dreadful sounds as though, all at once, that person wheezes, barks, and chokes to death. The face contorts in grimaces that mix smiles and yawns with snarls and frowns. What could cause such a frightful seizure?

Their eyes meet and her heart starts flopping around weakly, like a bunny in a ziploc bag.

“Get in! Come along!” The crowd laughed. “D'you hear, she'll gallop!”

“Gallop indeed! She has not had a gallop in her for the last ten years!”

“She'll jog along!”

“Don't you mind her, mates, bring a whip each of you, get ready!”

“All right! Give it to her!”

They all clambered into Mikolka's cart, laughing and making jokes. Six men got in and there was still room for more. They hauled in a fat, rosy-cheeked woman. She was dressed in red cotton, in a pointed, beaded headdress and thick leather shoes; she was cracking nuts and laughing. The crowd round them was laughing too and indeed, how could they help laughing? That wretched nag was to drag all the cartload of them at a gallop! Two young fellows in the cart were just getting whips ready to help Mikolka. With the cry of “now,” the mare tugged with all her might, but far from galloping, could scarcely move forward; she struggled with her legs, gasping and shrinking from the blows of the three whips which were showered upon her like hail. The laughter in the cart and in the crowd was redoubled, but Mikolka flew into a rage and furiously thrashed the mare, as though he supposed she really could gallop.

“Let me get in, too, mates,” shouted a young man in the crowd whose appetite was aroused.

“Get in, all get in,” cried Mikolka, “she will draw you all. I'll beat her to death!” And he thrashed and thrashed at the mare, beside himself with fury.

“Father, father,” he cried, “father, what are they doing? Father, they are beating the poor horse!”

“Come along, come along!” said his father. “They are drunken and foolish, they are in fun; come away, don't look!” and he tried to draw him away, but he tore himself away from his hand, and, beside himself with horror, ran to the horse. The poor beast was in a bad way. She was gasping, standing still, then tugging again and almost falling. “Beat her to death,” cried Mikolka, “it's come to that. I'll do for her!”

“What are you about, are you a Christian, you devil?” shouted an old man in the crowd.

“Did anyone ever see the like? A wretched nag like that pulling such a cartload,” said another.

“You'll kill her,” shouted the third.

“Don't meddle! It's my property, I'll do what I choose. Get in, more of you! Get in, all of you! I will have her go at a gallop! . . .”

All at once laughter broke into a roar and covered everything: the mare, roused by the shower of blows, began feebly kicking. Even the old man could not help smiling. To think of a wretched little beast like that trying to kick!

Two lads in the crowd snatched up whips and ran to the mare to beat her about the ribs. One ran each side.

“Hit her in the face, in the eyes, in the eyes,” cried Mikolka.

“Give us a song, mates,” shouted someone in the cart and everyone in the cart joined in a riotous song, jingling a tambourine and whistling. The woman went on cracking nuts and laughing.

. . . He [Raskolnikov] ran beside the mare, ran in front of her, saw her being whipped across the eyes, right in the eyes! He was crying, he felt choking, his tears were streaming. One of the men gave him a cut with the whip across the face, he did not feel it. Wringing his hands and screaming, he rushed up to the grey-headed old man with the grey beard, who was shaking his head in disapproval. One woman seized him by the hand and would have taken him away, but he tore himself from her and ran back to the mare. She was almost at the last gasp, but began kicking once more.

“I'll teach you to kick,” Mikolka shouted ferociously. He threw down the whip, bent forward and picked up from the bottom of the cart a long, thick shaft, he took hold of one end with both hands and with an effort brandished it over the mare.

“He'll crush her,” was shouted round him. “He'll kill her!”

“It's my property,” shouted Mikolka and brought the shaft down with a swinging blow. There was a sound of a heavy thud.

“Thrash her, thrash her! Why have you stopped?” shouted voices in the crowd.

And Mikolka swung the shaft a second time and it fell a second time on the spine of the luckless mare. She sank back on her haunches, but lurched forward and tugged forward with all her force, tugged first on one side and then on the other, trying to move the cart. But the six whips were attacking her in all directions, and the shaft was raised again and fell upon her a third time, then a fourth, with heavy measured blows. Mikolka was in a fury that he could not kill her at one blow.

“She's a tough one,” was shouted in the crowd.

“She'll fall in a minute, mates, there will soon be an end of her,” said an admiring spectator in the crowd.

“Fetch an axe to her! Finish her off,” shouted a third.
i
“I'll show you! Stand off,” Mikolka screamed frantically; he threw down the shaft, stooped down in the cart and picked up an iron crowbar. “Look out,” he shouted, and with all his might he dealt a stunning blow at the poor mare. The blow fell; the mare staggered, sank back, tried to pull, but the bar fell again with a swinging blow on her back and she fell on the ground like a log.

“Finish her off,” shouted Mikolka and he leapt beside himself, out of the cart. Several young men, also flushed with drink, seized anything they could come across—whips, sticks, poles, and ran to the dying mare. Mikolka stood on one side and began dealing random blows with the crowbar. The mare stretched out her head, drew a long breath and died.

“You butchered her,” someone shouted in the crowd.

“Why wouldn't she gallop then?”

“My property!” shouted Mikolka, with bloodshot eyes, brandishing the bar in his hands. He stood as though regretting that he had nothing more to beat.

I am a weblogger.

I am a man. I am an authority. I am hieratic. I am a drinker. I am a Canadian. I am an expatriate. I am somewhat inebriated tonight.

I am a spice without a sauce. I am a singer, I am a writer. I am a lover. I am man who loves. I am happy and I am unsatisfied. I am content and I am angry. I am actively ignoring the present continuous in favour of the possible future. I am alive. I contradict myself.

I am growing old. I'm farting like a Captain of Industry. I'm hurting every goddamn day. I'm present perfect linking my patchwork history with this moment here, where the glass is in my hand. I've abused this strong big body of mine. I've moved people to tears. I've made them laugh. I've been completely wrong. I'm squeezing out the pus.

I am uncertain. I am defiant.

I am buoyed on foamy waves of ancient guitar. I am tired of the bullshit. I hope for the best. I'm averting my eyes.

I'm wasting my life. I'm in the moment. I'm teaching people that English has no future tense. I'm pretty sure there's no point. I am happy about that.

I am thirsty. I am hungry. I am so full of shit my blue eyes are brown.

I love. I rear up in anger. I love.

I need another beer.

When he smiles, his face is wistful and boyish, but once the energy of his forward motion is halted and he stops to ponder, his pale blue eyes seem to express sadness or loneliness. Doug Engelbart's voice, as he greets you, is low and soft, as though muted from having traveled a long distance, as though his words have been attenuated by layers of meditation. There is something diffident yet warm about the man, something gentle yet stubborn in his nature that wins respect.

You look at me, from close up you look at me, closer and closer and then we play cyclops, we look closer and closer at one another and our eyes get larger, they come closer, they merge into one and the two cyclopses look at each other, blending as they breathe, our mouths touch and struggle in gentle warmth, biting each other with their lips, barely holding their tongues on their teeth, playing in corners where a heavy air comes and goes with an old perfume and a silence. Then my hands go to sink into your hair, to cherish slowly the depth of your hair while we kiss as if our mouths were filled with flowers or with fish, with lively movements and dark fragrance. And if we bite each other the pain is sweet, and if we smother each other in a brief and terrible sucking in together of our breaths, that momentary death is beautiful. And there is but one saliva and one flavor of ripe fruit, and I feel you tremble against me like a moon on the water.

Me miras, de cerca me miras, cada vez más de cerca y entonces jugamos al cíclope, nos miramos cada vez más de cerca y nuestros ojos se agrandan, se acercan entre sí, se superponen y los cíclopes se miran, respirando confundidos, las bocas se encuentran y luchan tibiamente, mordiéndose con los labios, apoyando apenas la lengua en los dientes, jugando en sus recintos donde un aire pesado va y viene con un perfume viejo y un silencio. Entonces mis manos buscan hundirse en tu pelo, acariciar lentamente la profundidad de tu pelo mientras nos besamos como si tuviéramos la boca llena de flores o de peces, de movimientos vivos, de fragancia oscura. Y si nos mordemos el dolor es dulce, y si nos ahogamos en un breve y terrible absorber simultáneo del aliento, esa instantánea muerte es bella. Y hay una sola saliva y un solo sabor a fruta madura, y yo te siento temblar contra mi como una luna en el agua.

She closes her eyes but it has nothing to do with sleep. It only makes her aware that they currently seem to be a size too large for their sockets.

Oh yeah, right. She was, like, she had these beautiful eyes, like patches of sky early in the morning, and she screamed like an angel.

At last I looked at her; I took her elbows and looked down into her face, her dear face. Liza is one of those women who is the envy and despair of all the other women her age; she always, always would look younger than she was and younger than all of them. It wasn't only the small, slender, firm body and the smooth skin and clear eyes; it was the way she carried herself, the way, when she moved or spoke, she released energy rather than stoking it up and eking it out like the rest of us. She kept her masses of blue-fired black hair rolled and folded up into a gleaming dark helmet and her eyes were not green, as they seemed to be, but an illuminated blue full of so many flecks of gold that they seemed to be green.

In an arm-chair, with an elbow resting on the table and her head leaning on that hand, sat the strangest lady I have ever seen, or shall ever see.

She was dressed in rich materials —satins, and lace, and silks— all of white. Her shoes were white. And she had a long white veil dependent from her hair, and she had bridal flowers in her hair, but her hair was white. Some bright jewels sparkled on her neck and on her hands, and some other jewels lay sparkling on the table. Dresses, less splendid than the dress she wore, and half-packed trunks, were scattered about. She had not quite finished dressing, for she had but one shoe on —the other was on the table near her hand— her veil was but half arranged, her watch and chain were not put on, and some lace for her bosom lay with those trinkets, and with her handkerchief, and gloves, and some flowers, and a prayer-book, all confusedly heaped about the looking-glass.

It was not in the first few moments that I saw all these things, though I saw more of them in the first moments than might be supposed. But, I saw that everything within my view which ought to be white, had been white long ago, and had lost its lustre, and was faded and yellow. I saw that the bride within the bridal dress had withered like the dress, and like the flowers, and had no brightness left but the brightness of her sunken eyes. I saw that the dress had been put upon the rounded figure of a young woman, and that the figure upon which it now hung loose, had shrunk to skin and bone. Once, I had been taken to see some ghastly waxwork at the Fair, representing I know not what impossible personage lying in state. Once, I had been taken to one of our old marsh churches to see a skeleton in the ashes of a rich dress, that had been dug out of a vault under the church pavement. Now, waxwork and skeleton seemed to have dark eyes that moved and looked at me. I should have cried out, if I could.

Under all the powder her face black as Harpo. She got a long pointed nose and big fleshy mouth. Lips look like black plum. Eyes big, glossy. Feverish. And mean. Like, sick as she is, if a snake cross her path, she kill it.

Three matches one by one struck in the night
The first to see your face in it's entirety
The second to see your eyes
The last to see your mouth
And the darkness all around to remind me of all these
As I hold you in my arms.

Trois allumettes, une à une allumées dans la nuit
La première pour voir ton visage tout entier
La seconde pour voir tes yeux
La dernière pour voir ta bouche
et l'obscurité toute entière pour me rappeler tout cela
en te serrant dans mes bras.

His eyes…

So dull, so desperate, so lonely. They looked like the life had been scratched out - ripped off. And he looked tired; so very tired. I looked closer and I thought I caught a glimpse of hope, or love, or happiness; but at once it was gone, swallowed in his sea of sorrow. I knew they had loved once, they had lived once, they had felt once. What could do this? What could drain all the tears from such young eyes? What could makes scars incapable of healing? What memories lay imbedded behind those clouded orbs?

His cracked lips were silent but he said more to me than anyone had ever done. His eyes spoke for the both of us - he had survived the war; he had died during it.