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If, in some cataclysm, all of scientific knowledge were to be destroyed, and only one sentence passed on to the next generations of creatures, what statement would contain the most information in the fewest words? I believe it is the atomic hypothesis (or the atomic fact, or whatever you wish to call it) that all things are made of atoms—little particles that move around in perpetual motion, attracting each other when they are a little distance apart, but repelling upon being squeezed into one another.

#34
from "The Feynman Lectures on Physics"
by Richard Feynman

If a piece of steel or a piece of salt, consisting of atoms one next to the other, can have such interesting properties; if water—which is nothing but these little blobs, mile upon mile of the same thing over the earth—can form waves and foam, and make rushing noises and strange patterns as it runs over cement; if all of this, all the life of a stream of water, can be nothing but a pile of atoms, how much more is possible? If instead of arranging the atoms in some definite pattern, again and again repeated, on and on, or even forming little lumps of complexity like the odor of violets, we make an arrangement which is always different from place to place, with different kinds of atoms arranged in many ways, continually changing, not repeating, how much more marvelously is it possible that this thing might behave? Is it possible that that thing walking back and forth in front of you, talking to you, is a great glob of these atoms in a very complex arrangement, such that the sheer complexity of it staggers the imagination as to what it can do? When we say we are a pile of atoms, we do not mean we are merely a pile of atoms, because a pile of atoms which is not repeated from one to the other might well have the possibilities which you see before you in the mirror.

#35
from "The Feynman Lectures on Physics"
by Richard Feynman

…huge power systems—a great water wheel, connected by filaments over hundreds of miles to another engine that turns in response to the master wheel—many thousands of branching filaments—ten thousand engines in ten thousand places running the machines of industries and home—all turning because of the knowledge of the laws of electromagnetism.

#36
from "The Feynman Lectures on Physics"
by Richard Feynman

I have a friend who's an artist and he's sometimes taken a view which I don't agree with very well. He'll hold up a flower and say, Look how beautiful it is, and I'll agree, I think. And he says—you see, I as an artist can see how beautiful this is, but you as a scientist, oh, take this all apart and it becomes a dull thing. And I think that he's kind of nutty. First of all, the beauty that he sees is available to other people and to me, too, I believe, although I might not be quite as refined aesthetically as he is; but I can appreciate the beauty of a flower. At the same time I see much more about the flower than he sees. I can imagine the cells in there, the complicated actions inside which also have a beauty. I mean it's not just beauty at this dimension of one centimeter, there is also beauty at a smaller dimension, the inner structure. Also the processes, the fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting—it means that insects can see the color. It adds a question: Does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which shows that a science knowledge only adds to the excitement and mystery and the awe of a flower. It only adds; I don't understand how it subtracts.

#225
from "The Pleasure of Finding Things Out"
by Richard Feynman

The vastness of the heavens stretches my imagination—stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern—of which I am a part—perhaps my stuff was belched from some forgotten star, as one is belching there. Or see them with the greater eye of Palomar, rushing all apart from some common starting point when they were perhaps all together.

#226
from "The Feynman Lectures on Physics, Vol. I,3-4"
by Richard Feynman

What men are poets who can speak of Jupiter if he were like a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

#227
from "The Feynman Lectures on Physics, Vol. I,3-4"
by Richard Feynman

So delicate are our instruments that we can tell what a man is doing by the way he affects the electrons in a thin metal rod hundreds of miles away. All we need to do is use the rod as an antenna for a television receiver!

#228
from "The Feynman Lectures on Physics, Vol II, 1-6"
by Richard Feynman