At words poetic, I'm so pathetic
That I always have found it best,
Instead of getting 'em off my chest,
To let 'em rest unexpressed,
I hate parading my serenading
As I'll probably miss a bar,
But if this ditty is not so pretty
At least it'll tell you
How great you are.

You're the top!
You're the Coliseum.
You're the top!
You're the Louvre Museum.
You're a melody from a symphony by Strauss
You're a Bendel bonnet,
A Shakespeare's sonnet,
You're Mickey Mouse.
You're the Nile,
You're the Tower of Pisa,
You're the smile on the Mona Lisa
I'm a worthless check, a total wreck, a flop,
But if, baby, I'm the bottom you're the top!

Your words poetic are not pathetic.
On the other hand, babe, you shine,
And I can feel after every line
A thrill divine
Down my spine.
Now gifted humans like Vincent Youmans
Might think that your song is bad,
But I got a notion
I'll second the motion
And this is what I'm going to add;

You're the top!
You're Mahatma Gandhi.
You're the top!
You're Napoleon Brandy.
You're the purple light
Of a summer night in Spain,
You're the National Gallery
You're Garbo's salary,
You're cellophane.
You're sublime,
You're turkey dinner,
You're the time, the time of a Derby winner
I'm a toy balloon that’s fated soon to pop
But if, baby, I'm the bottom,
You're the top!

You're the top!
You're an arrow collar
You're the top!
You're a Coolidge dollar,
You're the nimble tread
Of the feet of Fred Astaire,
You're an O'Neill drama,

You're Whistler's mama!

You're camembert.

You're a rose,
You're Inferno's Dante,

You're the nose
On the great Durante.
I'm just in a way,
As the French would say, “de trop”.
But if, baby, I'm the bottom,
You're the top!

You're the top!
You're a dance in Bali.
You're the top!
You're a hot tamale.
You're an angel, you,
Simply too, too, too divine,
You're a Boticcelli,

You're Keats,

You're Shelly!
You're Ovaltine!
You're a boom,
You're the dam at Boulder,
You're the moon,
Over Mae West's shoulder,
I'm the nominee of the G.O.P.

Or GOP!

But if, baby, I'm the bottom,
You're the top!

You're the top!
You're a Waldorf salad.
You're the top!
You're a Berlin ballad.
You're the boats that glide
On the sleepy Zuider Zee,
You're an old Dutch master,

You're Lady Astor,
You're broccoli!
You're romance,
You're the steppes of Russia,
You're the pants, on a Roxy usher,
I'm a broken doll, a fol-de-rol, a blop,

But if, baby, I'm the bottom,
You're the top!

…Daisy and I in time found asylum in a small menagerie down by the railroad tracks. It belonged to a gentle alcoholic ne'er-do- well, who did nothing all day long but drink bathtub gin in rickeys and play solitaire and smile to himself and talk to his animals. He had a little, stunted red vixen and a deodorized skunk, a parrot from Tahiti that spoke Parisian French, a woebegone coyote, and two capuchin monkeys, so serious and humanized, so small and sad and sweet, and so religious-looking with their tonsured heads that it was impossible not to think their gibberish was really an ordered language with a grammar that someday some philologist would understand.

The night drags along. In their wandering, the two men encounter their friend Adriana, a toothless woman, old beyond her age. She runs towards the doors of La Chapelle carrying two parcels of leather bags and perfume bottles she tries to sell to passerbys. To summarize her life, Adriana says simply: “I'm a hooker and a thief, and everything for the crack.” She can afford a hotel room, but finds no rest there: “I'm afraid of loneliness. I need to see the world.” As she leaves, she bends down as if to pick up something, but returns everytime emptyhanded. Laurent explains: “It's the 'pecking'. The big smokers have hallucinations, they think they see the cookie in the floor and bend down to get it. With prostitution, the girls always have money and thus consume more than men, they waste themselves very fast.”

Three matches one by one struck in the night
The first to see your face in it's entirety
The second to see your eyes
The last to see your mouth
And the darkness all around to remind me of all these
As I hold you in my arms.

He put the coffee
Into the cup
He put the milk
Into the cup of coffee
He put the sugar
Into the café au lait
With the little spoon
He stirred
He drank the coffee
And he replaced the cup
Without speaking to me
He lit
A cigarette
He made rings
With the smoke
He put the ashes
Into the ashtray
Without speaking to me
Without looking to me
He stood up
He put
His hat upon his head
He put
His raincoat on
Because it was raining
And he left
Without one word
And me I placed
My head in my hand
And I cried.

When the child's forehead, full of red torments,
Implores the white swarm of indistinct dreams,
There come near his bed two tall charming sisters
With slim fingers that have silvery nails.

They seat the child in front of a wide open
Window where the blue air bathes a mass of flowers,
And in his heavy hair where the dew falls,
Move their delicate, fearful and enticing fingers.

He listens to the singing of their apprehensive breath
Which smells of long rosy plant honey,
And which at times a hiss interrupts, saliva
Caught on the lip or desire for kisses.

He hears their black eyelashes beating in the perfumed
Silence; and their gentle electric fingers
Make in his half-drunken indolence the death of the little lice
Crackle under their royal nails.

Then the wine of Sloth rises in him,
The sigh of an harmonica which could bring on delerium;
The child feels, according to the slowness of the caresses,
Surging in him and dying continuously a desire to cry.

Dark and wrinkled like a violet carnation,
Humbly crouched amid the moss, it breathes,
Still moist with love that descends the gentle slope
Of white buttocks to its embroidered edge.

Filaments like tears of milk have wept
Under the savage wind that drives them off
Through little clots of russet earth
To disappear where inclination led them.

Oft did my dream suck at its vent;
My soul, envious of physical coitus, made it
Its musky dripstone and its nest of sobs.

'Tis the swooning conch, the fondling flute,
The tube from which the heavenly praline drops,
A female Canaan cocooned in muggy air.

ARCHITECT: When you're happy, what's it like?
EMPEROR: I'll tell you later. Such impatience! Such impatience! Ah! Youth!
ARCHITECT: You know how I imagine it? I think that when you're happy, your're with someone who has a very fine skin and then you kiss her on the lips and everything is veiled in a rose-colored smoke and her body changes into a multitude of small mirrors and when you look at her you're reflected a million times, and you ride with her on zebras and on panthers around a lake and she keeps you attached by a cord and when you look at her it begins to rain dove's feathers which fall to the ground neighing like young colts, and then you enter a room and you walk with her hand in hand on the ceiling (he speaks hurriedly) and the heads become covered with snakes who caress you and the snakes become covered with sea urchins who tickle them, and the sea urchins become covered with golden scarabs full of gifts, and the golden scarabs…
EMPEROR: Enough!

Now is it that the minds of men are qualified with all manner of discipline, and the old sciences revived which for many ages were extinct. Now it is that the learned languages are to their pristine purity restored, viz., Greek, without which a man may be ashamed to account himself a scholar, Hebrew, Arabic, Chaldaean, and Latin. Printing likewise is now in use, so elegant and so correct that better cannot be imagined, although it was found out but in my time by divine inspiration, as by a diabolical suggestion on the other side was the invention of ordnance. All the world is full of knowing men, of most learned schoolmasters, and vast libraries; and it appears to me as a truth, that neither in Plato's time, nor Cicero's, nor Papinian's, there was ever such conveniency for studying as we see at this day there is. Nor must any adventure henceforward to come in public, or present himself in company, that hath not been pretty well polished in the shop of Minerva. I see robbers, hangmen, freebooters, tapsters, ostlers, and such like, of the very rubbish of the people, more learned now than the doctors and preachers were in my time.

Wherefore, my son, I admonish thee to employ thy youth to profit as well as thou canst, both in thy studies and in virtue. Thou art at Paris, where the laudable examples of many brave men may stir up thy mind to gallant actions, and hast likewise for thy tutor and pedagogue the learned Epistemon, who by his lively and vocal documents may instruct thee in the arts and sciences.

I intend, and will have it so, that thou learn the languages perfectly; first of all the Greek, as Quintilian will have it; secondly, the Latin; and then the Hebrew, for the Holy Scripture sake; and then the Chaldee and Arabic likewise, and that thou frame thy style in Greek in imitation of Plato, and for the Latin after Cicero. Let there be no history which thou shalt not have ready in thy memory; unto the prosecuting of which design, books of cosmography will be very conducible and help thee much. Of the liberal arts of geometry, arithmetic, and music, I gave thee some taste when thou wert yet little, and not above five or six years old. Proceed further in them, and learn the remainder if thou canst. As for astronomy, study all the rules thereof. Let pass, nevertheless, the divining and judicial astrology, and the art of Lullius, as being nothing else but plain abuses and vanities. As for the civil law, of that I would have thee to know the texts by heart, and then to confer them with philosophy.

Now, in matter of the knowledge of the works of nature, I would have thee to study that exactly, and that so there be no sea, river, nor fountain, of which thou dost not know the fishes; all the fowls of the air; all the several kinds of shrubs and trees, whether in forests or orchards; all the sorts of herbs and flowers that grow upon the ground; all the various metals that are hid within the bowels of the earth; together with all the diversity of precious stones that are to be seen in the orient and south parts of the world. Let nothing of all these be hidden from thee. Then fail not most carefully to peruse the books of the Greek, Arabian, and Latin physicians, not despising the Talmudists and Cabalists; and by frequent anatomies get thee the perfect knowledge of the other world, called the microcosm, which is man. And at some hours of the day apply thy mind to the study of the Holy Scriptures; first in Greek, the New Testament, with the Epistles of the Apostles; and then the Old Testament in Hebrew. In brief, let me see thee an abyss and bottomless pit of knowledge.