Why not, also, other trees with immense, splendid flowers, perfuming whole regions? Why not other elements beside fire, air, earth, and water? There are four, only four, nursing fathers of various beings! What a pity! Why should not there be forty, four hundred, four thousand! How poor everything is, how mean and wretched—grudgingly given, poorly invented, clumsily made! Ah! the elephant and the hippopotamus, what power! And the camel, what suppleness!

But the butterfly, you will say, a flying flower! I dream of one that should be as large as a hundred worlds, with wings whose shape, beauty, colors, and motion I cannot even express. But I see it—it flutters from star to star, refreshing them and perfuming them with the light and harmonious breath of its flight! And the people up there gaze at it as it passes in an ecstasy of delight!

The beauty of flames lies in their strange play, beyond all proportion and harmony. Their diaphanous flare symbolizes at once grace and tragedy, innocence and despair, sadness and voluptuousness. The burning transcendence has something of the lightness of great purifications. I wish the fiery transcendence would carry me up and throw me into a sea of flames, where, consumed by their delicate and insidious tongues, I would die an ecstatic death. The beauty of flames creates the illusion of a pure, sublime death similar to the light of dawn. Immaterial, death in flames is like a burning of light, graceful wings. Do only butterflies die in flames? What about those devoured by the flames within them?