“The most perfect art, music, throbs, passes and disappears. Sound is instantaneous, does not last, and yet, it is all powerful. If all arts reach for music, even sculpture should approach that transient divinity. I will give you an example right now.”

Having said that, Matiegka, with his delicate hands, uncovered the tripod in the middle of his studio and placed on its top a blackish paste to which he set fire. A dense and thick smoke column, rose, rectilinear, atop the brazier. The fantastic sculptor grabbed some kind of long trowel with his right hand, then another with his left one, and begun swiftly with his job, swirling around the elongated smoke balloon, helping himself, apart from his tools, with his arms and breath. In less than a minute, the dark column had acquired the appearance of a human figure, of a yellow ghost that threatened to vanish at every instant. The mass had been rounded at the top until it resembled a head, and, with some good will, one could distinguish a trifle of a nose and the attempt of a chin. The smoke, thick and greasy, like the one from the old locomotives at rest, allowed itself to be cut by the repeated bites of the trowels. Matiegka, extremely pale, moved like a maniac; throwing away the smoke that threatened to confound the two legs, blowing gently over the shoulders of the aerial statue to make them more plausible, or moving away the smoking wing that prevented him from delineating the work. Finally, he withdrew from his work, approached me, and cried:

“Look! Quick! Engrave the form in your memory! In a few seconds the statue will vanish like a melody that ends!”

And true enough, little by little, the smoke, lengthening, deformed it; the ghost came undone, it dissolved in the dark fog that, slowly, disappeared through an opening in the skylight.

“The masterpiece has died as all masterpieces die!” —exclaimed Matiegka.

Pantagruel plucked up his heart, took a fresh courage to him, and was inflamed with a desire to profit in his studies more than ever, so that if you had seen him, how he took pains, and how he advanced in learning, you would have said that the vivacity of his spirit amidst the books was like a great fire amongst dry wood, so active it was, vigorous and indefatigable.

[Rick Bowers:] “There are those extremists who say that if a gay person were on fire you would burn in hell if you spit on them to put out the fire.”

Frodo looked at them in wonder, for he had never before seen Elrond, of whom so many tales spoke; and as they sat upon his right hand and his left, Glorfindel, and even Gandalf, whom he thought he knew so well, were revealed as lords of dignity and power. Gandalf was shorter in stature than the other two; but his long white hair, his sweeping silver beard, and his broad shoulders, made him look like some wise king of ancient legend. In his aged face under great snowy brows his dark eyes were set like coals that could leap suddenly into fire.

He knelt on the bed and fussed with the covers some, trying for an equitable—if not chivalrously so—division of blankets. He bent forward to kiss at a bite-mark he'd left on her shoulder.

His back went “pop.”

Somewhere down in the lumbar, somewhere just above his tailbone, a deep and unforgiving pop, ominous as the cocking of a revolver. He put his hand there and it felt OK, so he cautiously lay back. Three-quarters of the way down, his entire lower back seized up, needles of fire raced down his legs and through his groin, and he collapsed.

He barked with pain, an inhuman sound he hadn’t known he could make, and the rapid emptying of his lungs deepened the spasm, and he mewled. Linda opened a groggy eye and put her hand on his shoulder. “What is it, hon?”

He tried to straighten out, to find a position in which the horrible, relentless pain returned whence it came. Each motion was agony. Finally, the pain subsided, and he found himself pretzelled, knees up, body twisted to the left, head twisted to the right. He did not dare budge from this posture, terrified that the pain would return.

He reached out to her; she stepped into his arms. His hands slid lightly up her back, craddled her shoulders. She felt contained in his embrace, never confined.

“It's late in the autumn,” she said. “Getting on toward winter.”

“Time to harrow, perhaps,” said Jakt. “Or perhaps it's already time to kindle up the fire and keep the old hut warm before the snow comes.”

He kissed her and it felt like the first time.

“If you asked me to marry you all over again today, I'd say yes,” said Valentine.

“And if I had only met you for the first time today, I'd ask.”

They had said the same words many, many times before. Yet they still smiled to hear them, because they were still true.

They had formed a circle around him, twenty, thirty people, and their circle grew smaller and smaller. Soon the circle could not contain them all, they began to push, to shove, and to elbow, each of them trying to be closest to the center.

And then all at once the last inhibition collapsed within them, and the circle collapsed with it. They lunged at the angel, pounced on him, threw him to the ground. Each of them wanted to touch him, wanted to have a piece of him, a feather, a bit of plumage, a spark from that wonderful fire. They tore away his clothes, his hair, his skin from his body, they plucked him, they drove their claws and teeth into his flesh, they attacked him like hyenas.

But the human body is tough and not easily dismembered, even horses have great difficulty accomplishing it. And so the flash of knives soon followed, thrusting and slicing, and then the swish of axes and cleavers aimed at the joints, hacking and crushing the bones. In very short order, the angel was divided into thirty pieces, and every animal in the pack snatched a piece for itself, and then, driven by voluptuous lust, dropped back to devour it.

With a deep and quiet joy I recognized the beginnings of my own climax, and here again it was new, new. For usually it was rush upward toward the final explosion, with perhaps a split-second pause of almost unbearable sensitivity before the ejaculation—and that was a short series of electric thumps and a complete fall from whatever heights to the ever-present here-and-now. Thinking of the way it used to be, a phrase occurs to me: “I never left home.” But now…

Now I rode no rockets to a quick burst of color and a cinder-fall. They say that when a three-hundred-foot tidal wave struck somewhere in the Pacific, fishermen eleven miles were unaware of its passage, so gently and massively were they raised and let down. This is the way I was carried up to a height I had never before known; it was that all-but-unbearable point of sensitivity that I had flicked past so many times before; but this time I rested there forever, while time stopped. It was from this altitude that my joybursts were launched—not the abrupt sequence of little gouts of relief, but long sibilant syllables arcing up and out into a universe I had never known existed. Four, five of them, another, and then an interminable rest on that summit, and then one more, and then the last.

I had always been silent before; now, I shouted.

[…]

Then the great wave let me down, let me down peacefully and easily into the presence of my wife and my world and a sunshowered here and now.

The beauty of flames lies in their strange play, beyond all proportion and harmony. Their diaphanous flare symbolizes at once grace and tragedy, innocence and despair, sadness and voluptuousness. The burning transcendence has something of the lightness of great purifications. I wish the fiery transcendence would carry me up and throw me into a sea of flames, where, consumed by their delicate and insidious tongues, I would die an ecstatic death. The beauty of flames creates the illusion of a pure, sublime death similar to the light of dawn. Immaterial, death in flames is like a burning of light, graceful wings. Do only butterflies die in flames? What about those devoured by the flames within them?